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Available September 2002
ISBN 0-921870-94-9
7 1/2 X 10 224 pp
$24.95 pb
Canadian Art, Craft
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Craft
Perception and Practice
A Canadian Discourse
Edited By Paula Gustafson
Canada's ceramists, tapestry weavers,
and other craft artists are recognized amongst the world's finest
artisans. Nationwide the craft industry has more than 25,000
practitioners and annual sales in excess of $1 billion, making it one
of Canada's unrecognized success stories. Craft Perception and
Practice celebrates the excellence of Canadian crafts by bringing
together twenty-four essays and critical commentaries by sixteen
independent critics and curators, professional artists, art
historians, and studio art instructors. Highly readable texts by
internationally published authors Glenn Allison, Amy Gogarty, Paula
Gustafson, Paul Mathieu, Gil McElroy, and Anne McPherson-as well as by
noted Canadian painter Mary Pratt-discuss the conceptual, social, and
cultural significance of craft media, engage linguistic and feminist
theories, and consider aspects of tactile, sensual, and tacit
knowledge in the context of works by a distinguished group of Canadian
craft artists that includes Prix Saidye Bronfman Award winners Steven
Heinemann and Léopold L. Foulem. The inaugural edition of a
three-volume series, Craft Perception and Practice features
substantive writing about contemporary Canadian craft presented at
conferences, in national and international periodicals, and in
exhibition catalogues during the past decade. Illustrated with 37
full-page colour photographs. Indexed.
"This important volume promises
to provoke critical discussion on the personal, social, and aesthetic
programs of artists who work in craft media." - Dr. Stephen
Inglis, Director General of Research, Canadian Museum of Civilization
Paula Gustafson is the editor of
Western Canada's award-winning magazine Artichoke: Writings about
the Visual Arts and a regular contributor to other visual art
magazines in Canada, Australia, England, and Hong Kong. A lifelong
craft advocate and activist, she received the first Jean A. Chalmers
Fund for the Crafts award for critical writing about contemporary
Canadian crafts.
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