Available November 2004 1-55380-020-6 5.75" x 9" 36 pp $8.95 pamphlet ROMANTIC LITERARY CRITICISM, POETRY

Spontaneous Overflows and Revivifying Rays: Romanticism and the Discourse of Improvisation
By Angela Esterhammer

In this Garnett Sedgewick lecture given to the Department of English at the University of British Columbia in 2004, Angela Esterhammer introduces us to the art of the nineteeth-century Italian improvvisatori, who created spontaneous verses on topics chosen by their audiences. English Romantic poets such as Shelley and Byron witnessed some of these performances, especially by Tomasso Sgricci, and were greatly impressed. The ability of the improvvisatori touched on the very essence of poetic creation: is it simply, as the improvvisatori would seem to demonstrate, "the spontaneous overflow of powerful feelings" or does it have to be "recollected in tranquility," as Wordsworth had suggested? Dr. Esterhammer examines the ramifications of these two questions through the poetry and letters of the of the English Romantic poets who had witnessed the art of the improvvisatori, and in so doing presents some fascinating material and insights into the act of creation and the springs of the artistic imagination.

Angela Esterhammer was born and raised in Toronto; after studying at the Universities of Toronto and Tuebingen (Germany), she earned her PhD in Comparative Literature at Princeton University. She has been teaching at the University of Western Ontario since 1989, and is currently Professor of English and Comparative Literature, and Chair of the Department of Modern Languages and Literatures.